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Thursday, February 21, 2013

Haruto's Fattened Calf at VeraCruz Gallery

Hey there,

So it's been a while, but here's a post about a friend of mine's exhibit, at a relatively new gallery/performance space, VeraCruz Gallery.





I had the pleasure of being introduced to this place by my friend, Haruto Imamura. What's great about the venue, is that in addition to the exhibit, they ask the artist to do an installation piece as well. Here's what was up when I first went there.


And this weekend he's got a show opening there. You can RSVP on Facebook right here: Haruto's washington DC art show-opening night!!

Managed to catch a clip of him working on one of the pieces.


This was going on right before a Social Media Week DC event, "Social Media and the Local Music Scene: Engaging local audiences and re-envisioning social networks".

And here's one of the pieces, Haruto's friend Mike managed to hang before the event started, a piece he lovingly calls, "Love Like Disaster"


And small world, one of the owners/bartenders is sisters with someone I did a show with years ago!! And VeraCruz is managed by the folks behind The Dunes, a venue I've been at not just once, but twice previously, for a Class Acts Arts fundraiser and a SpeakeasyDC performance.

Full disclosure, I work at Class Acts Arts and sit on the board of SpeakeasyDC.

But I digress. Hope you can make the opening at VeraCruz this Saturday. And whether or not you can, Haruto's show will be up until the end of April.

Make sure to like VeraCruz Gallery on Facebook, follow them on Twitter (if you're there), check-in on Facebook and/or Foursquare (or wherever you are).

AND if you tweet about it, make sure to use #dcarts!!

- J Street Jr

Thursday, October 25, 2012

Emerging Arts Leaders DC's Creative Conversation: Fundraising in the Millennial Age

Hey,

So last week I had the pleasure and privilege of joining a panel put together for this year's Emerging Arts Leaders DC's (EALDC) annual Creative Conversation. This year's topic? Fundraising in the Millennial Age.

A quick disclaimer, just in case you didn't my post from August: I was asked to join the steering committee of EALDC and accepted. I started my tenure a couple of months ago. Since then I've co-hosted one of our monthly First Friday lunches, and I ended up on this panel after volunteering adding my own two cents to the conversation, as someone who has successfully implemented two Kickstarter campaigns to produce Capital Fringe shows.

But I digress. Our hosts for the evening were two of my fellow committee members, Tim Mikulski (Communications and Content Manager at Americans for the Arts) & Emily Travis (Communications & Government Affairs Associate at the Association of Performing Arts Presenters. Emily was also our moderator for the evening, and a wonderful one at that.


And so let me introduce my fellow panelists. Going from left to right, after Emily, we had Shannon Siemens, the assistant director of membership at the Wolf Trap Foundation for the Performing Arts as well as one of the foundations' liaisons with their Club 66 (young professional) membership program. Then there was me in the middle, next to whom sat James Li, entrepreneur and co-founder of a relatively new fundraising platform Encore. And last, but certainly NOT least was Ryan Holladay, a trustee of the Awesome Foundation's DC Chapter, manager of new media of Artisphere, as well as half the electronic music due known as Bluebrain.

Emily kicked off the convo with a question to Shannon, getting a sense of the state of fundraising, and she shared her experience and insights, particularly with demographics and retention rate. This was a perfect segue to discussing Wolf Trap's club 66 program, and was a great way to set the context for the evening, Fundraising in a Millennial Age.

James added to the conversation, and how Encore is helping to fill a need and bridge a gap. He provided some great information from the recent Millennial Impact Report, which you can check out at their blog. One phrase he used, which I love and relates to similar conversations about brandraising (thank you Big Duck!), was "top of mind". My takeaway was how important it is to stay present and relevant between the arts & cultural events which are the heart of any arts organizations' programs.


Social media inevitably came up and some of the major points included making sure that one had goals and that you focused on good, quality content, and not necessarily some of the easier to grasp, quantifiable stats.

Honestly, with the diversity of panelists and experiences, it's really hard to share everything that was discussed and covered. I say this as I attempt to even think about how I can share a nugget of what Ryan contributed, and I can't. His and everyone else's experience was a healthy serving of humble pie, for me.

Even what notes I managed to take probably only covered 10% of the conversation. So I'll skip to the end of the panel section, and try to paraphrase what I thought was important to leave the evening with.

I reiterated how important it is with social media to be transparent, to integrate those tools with an overall communication plan, and to really cultivate those one-to-one relationships and interactions. Social media is ultimately just a tool, not a strategy.

So after the panel, we broke off into small groups each given a different scenario of an arts organization in crisis, and they had to develop a solution based on the evening's conversation.

And this was just as important, if not more so, than the panel, otherwise it's not much of a conversation.

Overall a great evening with over 20 attendees. Looking forward to future ones, like the one I'm working on now.

After the First Friday Lunch I co-hosted, where there were a number of development people present, they expressed interest in a workshop/training/whatever much like many that the Foundation Center in Washington offer, but specifically for those at arts organizations. I went on to contact them, and talked with Kim and, although their training calendar is full through the rest of the calendar year, we're looking into a spring offering.

I've even touched based with the DC Commission on the Arts and Humanities, and have word from their Executive Director that they are certainly on board for whatever we work out. I thought it'd be great to hear from them, not just about granting opportunities, but leveraging those grants to go after other sources of funding.

Anyway, really excited to be part of this team at the Emerging Arts Leaders DC and this community of artists and arts organizations in the DC Metropolitan Area. Glad to have had the opportunity to participate as a panelist in our Creative Conversation, and stoked to bring other similar events to local arts professionals, to help us all move forward,

- J Street JR

Saturday, October 6, 2012

The Peter Fox Project

Hey there,

So after a hiatus, today I was inspired to blog because I had to share a wonderful example of the arts community in DC.

His name is Peter Fox. Today is his birthday. I got to meet and perform with him while singing with the Gay Men's Chorus of Washington. That was back in 2007. And it was right when he was pivoting to pursue his music professionally. I remember talking to him about it, as the work he was in was not as fulfilling as his art was.

While Peter was already a pillar in the local arts & LGBT community, it was wonderful and inspiring to see him take that to the next level. Check out this clip from Aids Walk 2010, just a little over a couple of years ago:


It hasn't even been a year since he left us, gone too soon. He succumbed to cancer. And while he isn't here in body, his spirit is still with us, and his energy continues to change the world.

Friends set up a fundraiser, which you can support on Crowdrise, called the Peter Fox Project:
On January 2, 2012, we lost one of the most beautiful souls to have entered our lives. Peter Fox touched everyone he encountered, and we - his family, friends, and fans - have partnered up with the Sitar Arts Center to continue his love, light, and legacy. Peter has always wished he had began his music career sooner, so this partnership with Sitar is just and appropriate. 
This annual fundraising campaign aims to raise $30,000 each year to ensure that Peter's love for music will help underprivileged, artistic and musically gifted youth in Washington, DC continue their talents.
So whether you knew him or not, I hope you consider joining Team Peter and supporting the work of the Sitar Arts Center through this fund.

Peter: You are missed and loved,

- J Street Jr,

Sunday, August 26, 2012

Comparing 10 DC Theatres on twitter: Report

Hello,

So I blogged about the method I went about to measure the social media efforts of theatres on Twitter at my AWayofLife0 blog (and if you came here via that, you can scroll down to after the under construction sign), particularly regardingthis endeavor. I looked at various data to compare 10 of DC's multitude of theatre companies. The theatres were chosen by a number of subjective factors, ones I was familiar with, established companies, Helen Hayes nominees, and is by no means comprehensive, but just within the scope of my own personal capacity.

Also, if anyone's with a theatre which was not included, and would like to be considered for when I do this report again in the future, please contact me and let me know. If you have any questions about the metrics or reasoning, after reading the other blog explaining all of it, absolutely message me. This is DEFINITELY a work in progress, and my main goal is to provide information and context that will help any and everyone do social media to the best of their capacity.

This isn't a matter of who's doing social media right and who's doing it wrong. I just want to make that clear. Everyone's doing something right to some degree. As I mentioned in the other post, ultimately any individual theatre's social media success can only be based on their own goals and measurements.

That being said, the ten theatre companies I took a look at were Arena Stage, Metro Stage, Olney Theatre Center, Round House Theatre, Shakespeare Theatre Company, Signature Theatre, Studio Theatre, Theater J, Synetic Theater, & Woolly Mammoth Theatre.

I break down rankings based on presence, relationships, and influence. I then provide the overall ranking at the end. Check it out:

Rankings based on presence, one's static and fluid appearance (i.e. selection of profile & background image and tweet frequency) were:
  1. Woolly Mammoth Theatre
  2. Shakespeare Theatre Company
  3. Theater J
  4. Studio Theatre
  5. Arena Stage
  6. Metro Stage
  7. Round House Theatre
  8. Signature Theatre
  9. Olney Theatre Center
  10. Synetic Theater
Rankings based on relationships (i.e. following/follower ratio and percentage of active followers) were:
  1. Metro Stage
  2. Theater J
  3. Woolly Mammoth Theatre
  4. Shakespeare Theatre Company
  5. Arena Stage
  6. Signature Theatre
  7. Olney Theatre
  8. Studio Theatre
  9. Synetic Theatre
  10. Round House Theatre
Rankings based on influence (i.e. Klout and Peer Index scores) were:
  1. Shakespeare Theatre Company
  2. Signature Theatre
  3. Arena Stage
  4. Olney Theatre
  5. Woolly Mammoth Theatre
  6. Round House
  7. Metro Stage
  8. Theater J
  9. Studio Theatre
  10. Synetic Theater
And here are the overall ranking combining the previous three categories:
  1. Woolly Mammoth Theatre
  2. Shakespeare Theatre Company
  3. Theater J
  4. Metro Stage
  5. Arena Stage
  6. Signature Theatre
  7. Round House
  8. Studio Theatre
  9. Olney Theatre
  10. Synetic Theater
Again, this is a ranking and not a scoring. There is no objective standard of social media proficiency which I used to measure and score these theatre companies against. And while there are some metrics which are somewhat objective, this ranking is based on how each theatres' scores compared to the others.

It is also an attempt to rank engagement, which might not be a theatre company's goal with their Social Media. If you're main goal is driving website traffic and ticket sales, then this ranking will probably be of little use to you. However, I would make the case that effective engagement in addition to broadcasting content that's on message and part of your overall marketing strategy, creating a place for dialogue and conversations, however brief, can actually compliment and even help with any other goals you might have.

An interesting tidbit is that Shakespeare Theatre Company and Signature Theatre are the social media veterans of this group, joining twitter over four years ago. But the "noob", Woolly Mammoth Theatre, which joined just a little under three years ago (it'll be three years on 9/1, actually), has risen to the top in terms of social media savvy, according to these rankings.

One consideration for future reports will be to include the quantity of followers, adjusted to not include fake or inactive ones, in the scoring system used to rank. The only issue I have with this is that so much of this can be dependent on anything from location, to whether a theatre is engaging not just local and regional tweeps, but national ones, as well, and quantity in and of itself does little to provide useful, meaningful context.

Finally, for tweeps in the DC area, if you follow any of these companies (if not all of them), does this more or less reflect what you've observed their engagement to be? Any surprises or questions with these rankings? Anything you recommend I take into further consideration? Is any of this even useful? If you haven't read my blog breaking down what went into this, please check it out.

I would personally be curious as to how much this does or doesn't reflect on a theatre's social media capacity, strategy, goals, and desired outcomes. And I'm definitely up to discussing this with any person in charge of such channels, either for these companies or others, if you have questions, input, or just want to grab coffee and chat.

Let me know, and keep an eye out for future reports,

- J Street Jr

P.S. Just in case you aren't following any of the theatres from this ranking, and would like to, here you go (in alphabetical order):

Wednesday, August 22, 2012

1st meeting sitting on Emerging Arts Leaders DC's steering committee

Hey there,

So i was asked to join the Steering Committee of the Emerging Arts Leaders DC (EALDC)...and I said yes.

Last night was my first night acting in an official capacity, during the first steering committee meeting of the 2012-13 year.

I had attended EALDC events before, the main ones being several First Friday Lunches. It's an opportunity to grab a bite, chat, and network with other arts professionals in the area. EALDC also partnered with AU's Emerging Arts Leaders Symposium, an annual event that happens the day before Americans for the Arts' (AFTA) Arts Advocacy Day.

If you're not familiar with EALDC, we are:
a volunteer-led initiative that provides professional development, networking, and information relevant to emerging arts professionals in the metropolitan Washington, DC area
And I was personally loving my fellow committee members, both veterans, as well as the other noobs like me. Anyway, I won't go on too much about what we discussed in the meeting. What was exciting was how quick "orientation" was and before I knew it, we were beginning to plan for the year, from First Friday Lunches, to Creative Conversation ideas. And, with the latter, the one we tentatively settled on was Philanthropy specifically regarding younger donors. This will be happening sometime late October, early November.

Creative Conversations are a special event dedicated to getting a discussion going. Last year's was held at Woolly Mammoth Theatre, and titled Cultural Participation in a 2.0 World.

So I'm stoked!! This is the kind of work that I've been wanting to jump into more, particularly with regards to this side of the arts conversation. And the whole time I couldn't help but look around at the table and be glad that I have the opportunity and privilege to work with this tremendous and dynamic group.

And although this particular organization started out as a DC thing, the group was actually titled The DC Forum when it first started several years ago, it is now part of AFTA's Emerging Leaders Network:
The Americans for the Arts Emerging Leader Program works to identify and cultivate the next generation of arts leaders in America. It is an ideal way for new leaders to share their interests with others as they continue to develop their skills and their commitment to the arts. The Emerging Leader Program targets professionals who are either new to the field, with up to five years of experience, or are 35 years of age or younger.
So if you're in the area, and interested in attending our events, definitely be in touch, and you can start by following or liking us on Facebook or Twitter:
And here are my fellow committee members, as well as any orgs we're associated with (as applicable):
  • Tim Mikulski, EALDC Co-chair, Communications & Content Manager at AFTA
  • Sunny Widman, EALDC Co-chair, Program Manager at National Arts Strategies
  • Corinne Baker, Audience Engagement Manager at Washington Performing Arts Society
  • Ellen Chenoweth, Managing Director at Dance Exchange
  • Chelsey Christensen, Development Manager for Individual Giving/Marketing & PR Coordinator at Imagination Stage & Forum Theatre
  • Ethan Clark, Independent Arts & Arts Education Consultant
  • Helen Gineris, Events Manager at Cultural Tourism DC
  • Angela Goerner, Development Director at Hamiltonian Artists
  • Megan Pagado, Digital Communications & Outreach Manager at the Arts and Humanities Council of Montgomery County
  • Christi Esterly Schwarten, Executive Director at the Fairfax Choral Society
  • Emily Travis, Communications & Government Affairs Associate - Association of Performing Arts Presenters
As you can see it's quite the spectrum of arts organizations. And it's reflected in the people I'm excited to sit on the steering committee with, in our broad range of experience and perspective.

So that being said, hope to see you at event soon. And I'll definitely post about the upcoming Creative Conversation in October,

- J Street Jr

Tuesday, June 26, 2012

The Normal Heart at Arena Stage

Hello,

So I saw The Normal Heart at Arena Stage last week and wanted to share some thoughts about it. Actually had a lot of thoughts to share, so had to divvy it up between my two blogs. This one's looking at it from an arts management and local arts community perspective, but you can check out the other, more personal one as well.

If you aren't familiar with The Normal Heart, here is Arena Stage's blurb for it:
Tony winner George C. Wolfe, (Angels in America) directs Larry Kramer’s Tony Award-winning Broadway production of The Normal Heart. Fueled by love, anger, hope and pride, a circle of friends struggle to contain the mysterious disease ravaging New York's gay community. Dismissed by politicians, frustrated by doctors and fighting with each other, their differences could tear them apart - or change the world. Hailed by critics as “riveting” (Newsday) and “a great night at the theater” (New York Times), Kramer's masterwork is an outrageous and totally unforgettable look at sexual politics during the AIDS crisis and remains one of the theater’s most powerful evenings ever.
When you walk into the space, and approach the Kreeger, you will actually see patches of the AIDS quilt, hanging on the wall. Apologies, as the image is somewhat blurry.

This is significant because the Aids Memorial Quilt is on display in Washington, DC this year. This partnership is a wonderful example of an opportunity that just made sense.

And this is just the tip of the iceberg. Arena Stage has also partnered with a number of other organizations for a series of relevant events throughout the run of the show, anything from free HIV screenings, to a series of panels throughout July.

All this is done in alignment with their mission:
Arena Stage is a national center for the production, presentation, development and study of American theater.
as all of this is certainly part of the production and presentation of this particular theater piece for the audience. The experience doesn't start when the house lights go down or end when the final bow is taken.

This is not to say that Arena Stage is the first theatre to do this. But rather than being an option or something to aspire to, I believe curating an experience beyond the stage will increasingly become a necessity as younger generations become future audiences.

But I digress. The Normal Heart runs until July 29th. I highly recommend anyone in the DC area not only see it, but try to attend one of the panels as well.

- J Street Jr


P.S. Check out the official trailer, below.

Tuesday, June 19, 2012

It's Capital Fringe time

Hey there,

It's that time of the year, Capital Fringe Festival time. I stopped by Fort Fringe yesterday evening, home of the box office, the Baldacchino Gypsy Tent Bar and several of the official festival venues within a block or so.

The Capital Fringe Festival Box Office
Disclaimer: I actually worked at the festival as the PR/Marketing intern while in grad school at AU for Arts Management. I've proceed to produce a show every year since '10 at the festival, including this one. That being said, if you're interested in following that, please check out my AWoL Productions blog.

Now if you're not familiar with Capital Fringe, it's an opportunity for artists and companies to produce and present work for a generally adventurous audience. Half the time, you don't know what you're going to get and it can be pretty exciting. One thing to keep track of during the festival is the board in the box office.

The "Board" inside the Box Office
Anything you need to know about shows in the festival (i.e. cancellations, sold out shows) will be posted here.  I do recommend connecting with the festival on Facebook and/or on Twitter as well. Shows aside, the other awesome part about the festival is just hanging out in between shows, reuniting with old friends and making new ones.


Most of this community gathering happens under and around the tent, with a bar that has food and drink, the tent which also houses a performance stage.  And, if you haven't got a chance to check it out yet, take a look at this year's shows online.

The festival runs July 12 to 29. And if you already knew about the festival, are there any shows you're already looking forward to?

- J Street Jr